My focus lies in exploring how constructed environments both enable and restrict the actions within them, using a visual language of containment and embodiment, as the history of gardens. I seek to create immersive spaces that function like stage sets, where suspended disbelief transports viewers into realms of reverie. Traditions in architectural ornamentation and the decorative arts – tapestries, utilitarian or decorative objects – often reveal “silent” patterns that dwell in the background. These settings, often abundant with flora and fauna, reflect human experience and its limitations, and have deeply influenced my work.