As an artist, Megan Thomas seeks to tell stories about how people and animals respond to biological and emotional scarcity. Vessels are inspired by anthropomorphic pottery that appears in the early ceramics records of many cultures. While very old pottery may not divulge all secrets to modern viewers, many of these pots seem to be prayers for bounty or attempts at understanding. She finds interest in how environmental and personal collapse might mirror each other. As cycles of ecological boom and bust manifest themselves in the archaeological records of past cultures, so might the cycles of emotional dearth and plenty manifest themselves in the archaeological record of one human’s soul.
Megan Thomas grew up in Hamilton, Ohio. She studied ceramic sculpture and painting at Bowling Green State University as an undergraduate student and graduated with an MFA in ceramics from Utah State University in 2020. She is an enthusiastic birdwatcher.
