The ceramic works of Samuel Sarmiento are, first of all, objects. Depicting myths and literary stories from across the Caribbean and South America, they do so as sculpted surfaces that create their own boundaries. They are self-contained worlds still connected to everything around them. History is palpable, bodies emerge from bodies emerging from bodies – or do they sink back into time, towards an origin we shall never know? There are forests, seas, cities, animals, trees, goddesses, humans, and meaningful scenes. Humans tell each other about the universe, how it came to be; they pass on secrets of death and procreation together with truths of conflict and suffering, and a hope of redemption. As Sarmiento’s works capture a vibrant oral tradition, they also encapsulate the act of storytelling itself.
Samuel Sarmiento (Venezuela, 1987) is a self-taught artist. He has participated in various exhibitions, individually and collectively, in Venezuela, Colombia, Aruba, Spain, the Netherlands, Portugal, France, Mexico, Panama, Argentina, and China,