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You are here: Home / Archives for Past Artist

Past Artist

Kim Tucker

November 6, 2023 by

My figures are outsiders caught in moments of vulnerability. Influenced by Beatrice Wood, Viola Frey, Della Robbia, cave paintings and vintage figurines, I create portraits of humans feeling weird, happy, lost, joyful and sometimes uncomfortable. Often with a female subject at the center, I use figuration as a gestural means of expression to dig deeper into the psyche. These emotive portraits become manifestations of what is bubbling beneath the surface, struggles with self-acceptance, grief, and desire. My work invites the audience in and offers a disquieting and humorous opportunity to ponder the compelling nature of what it means to be wonderfully imperfectly human.

Kim Tucker studied Ceramic Sculpture under the direction of Viola Frey and Arthur Gonzalez at the California College of Arts and Crafts, graduating with High Distinction. Kim then went on to receive her M.F.A in ceramics under the guidance of M.J. Bole at The Ohio State University. She has been artist-in-residence at Cal State University Dominguez Hills, Futur (Switzerland), Watershed Center for Ceramic Arts, AMOCA, and many more. Kim has recently shown her work at Arrowmont School of Arts and Crafts, American Museum of Ceramic Arts, Lauren Powell Projects and CSUDH to name a few. Kim currently lives in Los Angeles and is excited to be a Visiting Artist at the Bray.

Andrew Kellner

September 11, 2023 by

Andrew Kellner received a Diploma from Sheridan College (2003) BFA (2005) from Alberta College of Art and Design, and an MFA (2017) from West Virginia University. Since moving to Hamilton, Andrew keeps a home studio practice, and continues to contribute to the ceramics community by teaching ceramic classes at Mohawk College and other private studios. In 2018, Kellner and business partner Heather Smit, have started annual invitational Ceramic show Ash + Barrel.

Tony Clennell

September 11, 2023 by

Tony Clennell is a second-generation potter that has taught workshops in Canada, the US, Japan, China, Korea, Wales, Italy and Portugal. He has a Master of Fine Arts from Utah State University and is a member of the Royal Canadian Academy of Arts. Tony has written articles for an assortment of ceramic journals including Fusion, Contact, Ceramics Monthly, Pottery Making Illustrated, Clay Times, and Studio Potter,  He has exhibited in museums and collections in North America, Europe, and Asia. He is the author of Stuck in the Mud and a celebrated blogger.

Tony Clennell
Tony Clennell
Tony Clennell
Tony Clennell

Paolo Porelli

August 3, 2023 by

With his sculpture, Porelli wants to provide access to an archetypal dimension of reality, condensing surrealist contaminations, Pop proliferations and archaic symbolism in his visual language. The anthropomorphic inventions that he elaborates produce an estrangement effect of the figuration, creating iconographic absurdities and a new mythology of the present. With his human repertory, Porelli emphasizes the critical issues of contemporary mankind and all the phenomena that underlie society, including the unsustainability of civilization as a development model and its incompatibility with nature.
​
His sculpture becomes an example of cultural eclecticism and historical nomadism, representing stylistically the expressive globalization of creation. In addition to painting, Porelli’s work finds its preferred expressive technique in ceramics, both for the connection of this material with the ancestral roots of man, and due to its versatility, which offers him the opportunity to express current, modern and contemporary concepts.


Sculptures produced primarily with slip-cast or press molds, taken from historical figurines or 3-D scans of contemporary individuals, serve as a pretext to realize a transformation and arrive at a “sculptural subject” that is both individual and original. A constant of the variations that propel the sculptures towards continuous regeneration is the attempt to establish the stroboscopic range of human essence. A prolific group of complementary figures is formed that fills the void between two opposed poles of existence.

Porelli’s figures are an example of pure creativity that expresses an incessant impetus for discovery of the infinite nuances of which the mysterious world of reality is composed. They are a grand exercise in metamorphoses, transience and relativity of the creative process, that through an inverse process, converts the stereotype into the archetype.

Porelli has participated in artist residencies and conferences in America, China and Europe, including The Clay Studio and The Archie Bray Foundation in the United States, Jingdezhen International Studio and Blanc de Chine ICAA in China, EKCW in the Netherlands and the Woodman Family Foundation in Italy. He has exhibited in solo and group exhibitions in Italy and abroad (China, South Korea, Belgium, Denmark, Germany, the Netherlands, Spain and the USA). Together with Lori-Ann Touchette, he founded CRETA Rome, an international center of ceramics and the arts in 2012. In 2021, he was elected a member of the International Academy of Ceramics.

Tara McCoy

July 10, 2023 by

As a multi-medium artist Tara McCoy started making crafts at 12 years old.  In high school, Tara took arts and crafts classes with Alyne Stamper where she has since perfected her skills and techniques.  She is known for saying, “everyone’s an artist.” 

Tara has been the recipient of numerous awards at the Cherokee Fall Festival, as well as Oklahoma Art Shows, and at SWAIA in Santa Fe.  Tara teaches other artists how to work with different mediums as well as generating new creations at her home in the Birdtown community.

Anita Fields

July 10, 2023 by

Anita Fields is interested in how we adorn ourselves for certain purposes and the transformative experiences we are allowed by this process. These ideas are realized by the making of clay and textile articles of clothing such as dresses, moccasins and even purses. They are metaphors for how we see our place in the world and the influences of culture.

As an Osage artist, the work she wants to express comes from a multitude of places. It can be based on childhood memories, experiences, dreams, social issues, and everyday encounters. Anita may be compelled to create work after reading a great story or witnessing a powerful event. She is inspired by family stories and the narratives found in the culture and history of Osage people.

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