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You are here: Home / Archives for Past Artist

Past Artist

Gavin Chura

August 7, 2024 by

Edith Garcia

July 31, 2024 by

Edith Garcia’s work draws you into an alluring world of installation and sculpture. She focuses on the unique individual experiences throughout our lifetimes, the minimal occurrences that transpire each day, addressing humanity’s ontology and grafting them into site-specific installations and objects. Her body of work has been exhibited throughout North America, Mexico, and Europe, in spaces such as the Gimpel Fils, London, Escuela Nacional de Artes Plasticas, Mexico City, and is included in the permanent Sculpture Garden of the Archie Bray Foundation, Montana.

Garcia is strongly engaged in the critical research of contemporary art and crafts with curatorial projects, publishing, and creating works that reflect this passion. Garcia received her BFA from the Minneapolis College of Art and Design, MFA from the California College of the Arts, and MPhil at the Royal College of Art in London working on research focusing on The Absence and Presence of the Human Form in Ceramic Sculpture-Where is the Vanishing Point. And her first major publication Ceramics and the Human Figure was released worldwide by Bloomsbury. To learn more visit edithgarciastudio.com.

Meredith Host

June 11, 2024 by

Meredith Host (she/her) produces contemporary tableware and textiles with retro flair. Her dot patterns are inspired by her collection of toilet paper and paper towel designs. She obsesses about these ubiquitous domestic patterns subtly quilted on the paper products we see, use, and throw away every day. Meredith reinterprets these motifs and celebrates them in the context of other domestic objects meant for daily use.  

Meredith received her BFA in Ceramics from Kansas City Art Institute in 2001 and her MFA in Ceramics from The Ohio State University in 2008. She was named one of the 2011 Emerging Artists for NCECA and Ceramics Monthly, and in 2016 was a Presenter at the Utilitarian Clay Symposium. Currently, Meredith lives in Kansas City, MO, teaches workshops around the country, and is a founding member of the Kansas City Urban Potters.

Missy McCormick

May 24, 2024 by

The seeds of inspiration for my current work derive from 17th century Persian miniature paintings and 16th century Dutch still lives. These works display a peculiar balance of deep atmospheric space with an intense attention to minute detail, combinations so resolved that they need for nothing more. In making work, I’m curious about the spaces we inhabit, how we move through our environments, from the lens of domestic objects, architecture, design and daily routine. Familiar objects and their function are examined and reimagined through a loose sense of Scandinavian and mid-century modern sensibility, with a focus on the practical, architectural and essential elements. The results offer the comfort of the familiar with a sense of simplicity, reliability and no-frill timelessness.

Missy McCormick is an artist and art educator, based in Youngstown, OH. After graduating with her BFA in 3D/Ceramics she started her clay career as a production potter in North Georgia’s Appalachian Mountains. Missy received a MFA from the University of Florida and began exhibiting her work and teaching ceramics in a variety of different academic programs across North America. 

After spending over 10 years working solely with soda and wood firing processes, Missy has transitioned her creative research to incorporate atmospheric results at low temperature, fuming terra sigillata surfaces on functional earthenware clay forms. This direction has inspired the use of a new pallet of color, surface, and decorative possibilities. Her inspiration for this shift was spurred by a visit to the Cleveland Museum of Art while teaching a summer course at the Cleveland Institute of Art in 2001, where she stumbled upon a collection of Persian miniature paintings. The intense detailed patterning, subtle value shifts of the backgrounds, and asymmetrical framing of the compositions continue to keep her intrigued.

Missy McCormick has been a resident artist at The International Ceramic Research Center- Guldagergaard in Denmark, Banff Center for the Arts in Alberta Canada, Women Studio Workshop in New York, and has taught ceramics in various positions at the following institutions: Youngstown State University, University of Wisconsin, Madison, University of Arkansas at Little Rock, Florida Atlantic University, Alberta College of Art and Design in Calgary, Alberta, Canada, and Georgia Southern University. Other creative endeavors include starting a community ceramic art studio, Whistle Stop Clay Works, and co-founding the Loveland Farmers’ Market in Loveland, OH.

Eliza Weber

May 24, 2024 by

Eliza Weber
2024 Taunt Fellow
Great Falls, Montana

Eliza Weber’s work explores interconnectedness and materiality in a variety of mediums including ceramic, paper, found objects, and textiles. Through considerations of duality and context, with explorations in emotion and play, individual pieces and installations become abstracted reflections of the world around us. Influenced by the curation of domestic places and the management of environments, interior and exterior overlap, acknowledging the ways in which objects, the self, and others occupy space.

Eliza Weber completed her MFA at Arizona State University and BFA at The University of Montana. She has completed short residencies at Medalta in Alberta, Canada and The Pottery Workshop in Jingdezhen, China. Eliza was also an Artist in Residence at Pottery Northwest in Seattle, Washington. Returning home, she was Director of Education at the Paris Gibson Square Museum of Art in Great Falls, Montana. She served on the boards of NCECA and the Ceramics Research Center, presently serving on the NCECA Green Task Force. Eliza is currently a Long-Term Resident at the Archie Bray Foundation in Helena, Montana.

Carey Nathanson

May 24, 2024 by

Carey Nathanson
2024 Bray Fellow
Wilmington, North Carolina

Carey Nathanson’s work is primarily hand-built cups, platters, bottles and other vessels made with the intention of being fired in the wood kiln. The goal is to fire 5 to 7 days to saturate the work with fly ash, encourage local reduction effects by building large ember beds and create dramatic surfaces with big color palettes. With each wood firing, the surfaces of the pieces record a snapshot in time of unique conditions and are affected by the place, materials and individual collaborators within that universe.

Bio: Nathanson started working with clay during his high school years in his home town of Wilmington, North Carolina. In 2018 and 2019 he studied wood firing as a studio assistant under John Dix in Kobe, Japan and Nick Schwartz in Comptche, California. Since his time as an assistant, he has completed residencies at the American Museum of Ceramic Art, the Mendocino Art Center, STARworks, Red Lodge Clay Center, Cider Creek Collective and Sawtooth School for Visual Art. He is currently a long-term resident artist at the Archie Bray Foundation.

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