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You are here: Home / Archives for Past Artist / Past Visiting Artist

Past Visiting Artist

John Balistreri

March 3, 2022 by

Virgil Ortiz

February 25, 2022 by

Paul Briggs

February 25, 2022 by

Anabel Juarez

February 25, 2022 by

Sharif Bey

February 25, 2022 by

I am inspired by folklore, functional pottery, modernism, natural history, and a lifelong affinity for West African and Oceanic sculpture. My works investigate the symbolic and formal properties of archetypal motifs, questioning how the meanings of icons, objects, and functions transform across cultures and over time. As a consequence of colonialism and conquest, African and Oceanic ceremonial objects made their way into Western consciousness as looted artifacts, stripped of their original frames of reference. They inspired European modernists both for their aesthetic interest and their perceived otherness. I am interested in investigating how fetish, racism, science fiction, and popular culture impede interpretations of ‘non-western’ objects. I play on Western conjecture by producing works that suggest non-Western utilitarian, ceremonial, or ritualistic purpose but are ultimately designed for ‘display’ for the Western consumer. I ultimately seek to expose the interpretative deficiencies of the colonized mind and place them on display beside my work.

Born as one of twelve children, Sharif Bey was raised in a large African American family in Pittsburgh. While many of the men in his family left school for jobs in industry, Bey had a pivotal experience at the Manchester Craftsmen’s Guild (MCG) while attending high school. MCG played a formative role for Bey throughout his teens, giving him a foundation of skills and extensive ceramics-world connections. Shortly after the fall of the Soviet Union, Bey studied sculpture at The Academy of Fine Arts and Design in Bratislava, Slovakia. Later, he earned his BFA from Slippery Rock University, his MFA from the University of North Carolina at Greensboro, and PhD (in art education) from Pennsylvania State University. His awards include: The United States Artist Fellowship, The Pollock-Krasner Fellowship, The New York Foundation for the Arts Fellowship, and The J. William Fulbright Scholarship. He is featured in numerous public collections including: The Smithsonian American Art Museum, The Museum of Fine Arts in Houston, The Carnegie Museum, The Columbus Museum, The Everson Museum, and The Westmoreland American Art Museum. Currently Bey is an Associate Professor of Art at Syracuse University.

Cannupa Hanska Luger

February 25, 2022 by

Cannupa Hanska Luger is a multidisciplinary artist who works primarily in ceramics, Luger is an enrolled member of the Three Affiliated Tribes of Fort Berthold (Mandan, Hidatsa, Arikara, Lakota). Through monumental installations and social collaboration, Luger activates speculative fiction and communicates stories about 21st Century Indigeneity, combining critical cultural analysis with dedication and respect for the diverse materials, environments, and communities he engages. He lectures and produces large-scale projects around the globe and his works are in many public collections. Luger is a 2022 Guggenheim Fellow, recipient of the 2021 United States Artists Fellowship Award for Craft and was named a 2021 GRIST Fixer, he is a 2020 Creative Capital Fellow, a 2020 Smithsonian Artist Research Fellow, and the recipient of the Museum of Arts and Design’s 2018 inaugural Burke Prize, among others. 

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