Yeh Rim Lee builds bridges between the masculine and feminine, between East and West, between decorative and functional, eternal and the ephemeral. The bridges suspend (often in the air) decay, ambiguity and sensuality. Taut, fibrous stings of emotional labor welcome the viewer across the chasm. Through colors and glaze, she explores luxury and decadence with surfaces that crystallize, facet, fragment, blur and cause noise.
Yeh Rim Lee was born in Seoul, South Korea. The way she interacts with her work is directly connected to her background in ceramics. She earned her BFA in ceramics from Korea National University of Cultural Heritage 2013. In 2014, she continued her studies at the California State University Long Beach as a post-baccalaureate in ceramic arts. She received her MFA in Ceramic Art at Alfred University in 2017. She has shown in exhibitions nationally and internationally. Yeh Rim has been an artist in residence at University of Georgia, University of the Arts and the Clay Studio in Philadelphia. Recent shows include Shifting Reverence at NCECA, 2019 and the Korean International Ceramic Biennale 2019.
2021
Yeonsoo Kim
In order to understand the art, history and culture of ceramics of Korea, Yeonsoo Kim worked with Korean masters at various onggi factories and ceramic studios as a way to secure a strong foothold in the field of Korean traditional pottery. An artistic identity began developing as life experiences and values were shared with other artists and workers. Yeonsoo began tasking himself with creating a new hand built vessel each day. These works, when amassed, act as a type of diary or a visual record of listening to his inner voice. His works explore identity and psychological conditions through the processes of making and daily life.
Yeonsoo Kim was born in Haenam, South Korea. He is a long-term resident artist at Archie Bray Foundation. Yeonsoo earned his Master of Fine Arts degree in Ceramics at Lamar Dodd School of Art, University of Georgia in Athens, GA. He was recently selected as a recipient of a 2020 Emerging Artist award by the National Council on Education for the Ceramic Arts (NCECA).
Alessandro Gallo
Alessandro Gallo represents the silent life happening around him using human/animal hybrids. He uses the animal head as an expressive tool, something between a mask and a caricature that exaggerates inner features. Alessandro combines these heads with the silent language of our body and the cultural codes of fashion in order to portray specific individuals, the subcultures they belong to and, ultimately, the common habitat we all share.
Alessandro Gallo was born in 1974 in Genoa, Italy and is now based in the United States, in Helena, Montana. After studying Law at the University of Genoa, Gallo moved to London where he studied at Saint Martin’s College of Art and at Chelsea School of Art and Design. Alessandro has shown internationally and his work was in the 54th Venice Biennale in 2011. In 2012, he was awarded a first place grant from the Virginia A. Groot Foundation. In 2014 and 2016 he had solo shows at the Jonathan Levine Gallery in New York. In 2018 Alessandro was selected as a Demonstrating Artist for NCECA (National Council on Education for the Ceramic Arts).